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Giselle

Music by
Adolphe-Charles Adam

La Primavera che perennemente si rinnova - Umberto Bocioni
  • balletto

    Ballet in 2 acts
    Libretto by Théophile Gautier and Vernoy de Saint-Georges

  • first performance
  • Saturday 09 August 2008
    at 21.00
  • others performance dates
  • Sunday, 10 August
    at 21.00
    Tuesday, 12 August
    at 21.00
    Wednesday, 13 August
    at 21.00
    Thursday, 14 August
    at 21.00
  • Choreography Carla Fracci
    after Jean Coralli, Jules Perrot, Marius Petipa e Anton Dolin
    Coreographic Assistant Gillian Whittingham
    Conductor Alessandro D’Agostini
    Sets Anna Anni
    adapted for Caracalla by Dario Gessati
    Costumes Anna Anni
    Director Beppe Menegatti
  • cast
  • Giselle Laura Comi (9) /
    Larisa Lezhnina (10) /
    Oksana Kucheruk (12) /
    Mara Galeazzi (13) /
    Ashley Bouder (14)
    Albrecht Mario Marozzi (9) /
    Giuseppe Picone (10) /
    Igor Yebra (12) /
    Jean-Sébastien Colau (13) /
    Jared Angle (14)
    Myrtha Gaia Straccamore (9, 14) /
    Alessandra Amato (10, 13) /
    Dalila Sapori (12)
    Hilarion Manuel Paruccini (9, 13) /
    Damiano Mongelli (10, 14) /
    Vito Mazzeo (12)
  • ORCHESTRA E CORPO DI BALLO DEL TEATRO DELL’OPERA

    Production of the Teatro dell’Opera

  • It has been considered a perfect romantic ballet for it's completeness and perfect synthesis and one of the greatest classics. First seen in Paris in 1841 on a book by Théophile Gautier, music by Adolphe-Charles Adam and choreography by Jean Coralli and Jules Perrot, with a memorable performance by Carlotta Grisi, it was first presented in Rome on the 18th of may 1911 at the Teatro Costanzi by Les Ballets Russes company of Sergej Diaghilev with direction by Nikolai Tchérepnine, the scenery and costumes by Alexandre Benois and excellent performance by Tamara Karsavina and Vaslav Nijinsky. A frequent title of the theatre's programme: one can remember the unforgettable performance by Carla Fracci and Rudolph Nureyev in the 1979-80 season and one of the latest versions choreographed by Vladimir Vassiliev (1994). The version we have today is in fact based on the choreography suggested by Carla Fracci in adherence to the intergral score.